King Saha’s public war of words with Eddy Kenzo has reached new heights, with the artist calling out Kenzo and the Uganda National Musicians Federation (UNMF) for what he describes as a failure to support Ugandan musicians effectively. In a recent video statement, Saha condemned Kenzo’s indirect approach to their ongoing feud and accused the federation of promoting a false narrative about unity in the music industry.
King Saha is unapologetic in his condemnation of the UNMF and its leadership under Eddy Kenzo. Saha described the federation as “a ground for failures,” suggesting that its leadership has failed to produce tangible benefits for Ugandan musicians. He pointed out that, rather than fostering genuine unity and growth within the industry, the federation has become a platform for personal agendas and public manipulation.
Saha’s frustration also extends to Kenzo’s handling of their ongoing feud. He accuses the Big Talent boss of avoiding direct confrontation, opting instead to use other artists to engage with him. Specifically, he highlighted Lil Pazo as one of the individuals sent to attack him publicly. Saha’s statement reveals his belief that Kenzo’s strategy of using proxies is a sign of his inability to address issues head-on.
Saha’s ongoing spat with Lil Pazo has fueled the fire of this feud. The two artists have exchanged barbs, with Pazo previously mocking Saha’s leadership and personal hygiene. According to Saha, this behavior is indicative of Kenzo’s reluctance to deal with him directly. He believes that Kenzo is using Pazo as a tool to weaken his image without having to personally confront him.
Saha’s frustration is clear as he challenges Kenzo to stop hiding behind other artists. “Kenzo sent his woman (Lil Pazo) to attack me,” Saha said, taunting Kenzo by implying that he lacks the courage to face him one-on-one. By engaging in such tactics, Saha argues, Kenzo is only revealing his insecurities and unwillingness to engage in direct dialogue.
In addition to his criticisms of Kenzo’s personal tactics, Saha also took issue with the way Kenzo has manipulated the public image of the UNMF. He accused Kenzo of recruiting artists like Mudra for superficial reasons, claiming that their participation was more about creating a positive public appearance than actual commitment to the federation’s cause. Saha believes that Kenzo is using these artists as pawns to project a sense of success and unity, despite the lack of real progress within the federation.
King Saha’s latest comments reveal his unwavering confidence in his position and his readiness for a direct confrontation with Kenzo. Rather than continuing to engage with figures like Lil Pazo, Saha challenges Kenzo to step up and face him directly. He has made it clear that he will not be intimidated by Kenzo’s tactics and will continue to expose what he sees as the federation’s failings.
“If Kenzo wants to defeat me, he should send more able artists, not Lil Pazo,” Saha challenged. He reiterated that the federation’s tactics will not work against him and that he is prepared to continue pushing back against their efforts.
The feud between King Saha and Eddy Kenzo has reached a boiling point, with both artists taking shots at each other’s leadership and tactics. As Saha continues to publicly criticize Kenzo and the UNMF, the dynamics of the Ugandan music industry are likely to shift. The conflict has exposed deeper rifts among artists and raised questions about the effectiveness of the UNMF in truly representing Ugandan musicians. With both sides dug in, the future of this battle remains uncertain.